Monday, 23 April 2012

A Devilish Visit to Peckham Rye

The photo on the front of my 1966 Penguin
 edition of The Ballad of Peckham Rye
is by Robert Croxford.

Dougal Douglas was born with horns on his head, like a goat, but they fell off in a fight – or maybe they were surgically removed. You never know if Dougal is telling the truth, but he definitely has has two small lumps which can be felt through his curly hair, exactly where horns should be. He has a gleaming, sinister smile and a crooked shoulder, and takes a gleefully malicious delight in turning people's lives upside down. He may not be actively responsible for the chaos and confusion that trails in his wake, but he seems to act as a catalyst, bringing out the worst in the people he meets, before moving on to wreak havoc in other communities.

I read The Ballad of Peckham Rye when I was at school (but not for school, if you see what I mean), attracted by the title and the cover - a photograph of a man wearing a smiling devil's mask, complete with horns, as he peers over the shoulder of a marble angel. It was the first Muriel Spark novel that I came across, as well as being one of the first contemporary novels I encountered (until then most of my reading was classics based). More than that, it was written by a modern woman, and opened up a whole new world in my reading life. I loved the spare quality of the writing, the wry humour, the subversive feel of the book, and the fact that there were no heroes and heroines in the conventional sense, just ordinary men and women going about their everyday lives, completely unprepared for the advent of Dougal Douglas and the devastation that accompanies him.

Since then my admiration of Spark grows with each novel I read, and I return, periodically, to the world of Peckham Rye. It's a while since my last visit, but now seems a good time as Simon at Stuck in a Book ( and Harriet at Harriet Devine's Blog ( are hosting a Muriel Spark Reading Week.

The book opens with an account of Humphrey Place jilting Dixie, his bride-to-be, as they kneel at the altar.

The vicar said to Humphrey, 'Wilt thou have this woman to thy wedded wife?'
'No,' Humphrey said, 'to be quite frank I won't.'
He got to his feet and walked straight up the aisle. The guests in the pews rustled as if they were all women. Humphrey got to the door, into his Fiat, and drove off by himself to Folkstone. It was there they had planned to have their honeymoon.

This is only the second page of my battered 1966 Penguin edition, but I'm already hooked. I particularly like the way the guests rustle – it's such a small, but telling detail. And, intriguingly, although we haven't yet met Dougal we know that people think he is to blame for the wedding fiasco, that he has given Humphrey 'disgusting ideas', and that Dixie has never liked him.

At this point it occurs to me that Peckham Rye is where ten-year-old Blake saw angels in a tree 'bespangling every bough like stars', a heavenly vision which contrasts with the devilish doings of
Spark's dark tale. For Dougal is no ordinary rogue. He is, as we are frequently told, 'different', and various characters describe him as 'inhuman' and 'unnatural', or even 'a diabolical agent, if not in fact the Devil'. Dougal himself insists: “I'm only supposed to be one of the wicked spirits that wander through the world for the ruin of souls.” But maybe he's just joking – as I said before, it's hard to know if he's telling the truth.

However, from the moment we meet him we are aware of his almost supernatural powers. When interviewed for a job he

... leaned forward and put all his energy into his appearance; he dwelt with a dark glow on Mr Druce, he raised his right shoulder, which was already highly crooked by nature, and leaned on his elbow with a becoming twist of the body. Dougal put Mr Druce through the process of his smile, which was wide and full of white young teeth; he made movements with the alarming bones of his hands. Mr Druce could not keep his eyes off Dougal, as Dougal perceived...

The visionary poet William Blake, seen here
in a portrait by Thomas Phillips, saw angels
at Peckham Rye - a far cry from Muriel Spark's
devilish visitor.
There he is, dark, devilish, skeletal, mesmeric, otherworldly, steering the interview the way he wants it to go, changing his shape from the stillness of a monkey puzzle tree to a professor, to a television presenter and then, finally, a man of vision with a deformed shoulder. It's the first indication of how devious and manipulative he can be, making himself whatever he considers will best please others, while suiting his own mysterious purposes. The textile company employs him in an unspecified role, but the exact nature of his work doesn't matter, as he spends most of his time out of the office conducting human research. Not content with that, he talks himself into a similar job at a rival firm, where he insists on carrying out industrial research in the local community. In addition, he's creatively engaged in ghost-writing an autobiography for an ageing singer and actress.

He attracts and repels in equal measure. Characters who tearfully bare their souls to him find that far from finding solace or resolution, their lives fall apart as their true natures are revealed, with terrible consequences, ranging from mental breakdown to murder. Those who don't succumb to Dougal's peculiar charm may keep their souls, but they are still in jeopardy as they rifle through his rented room searching for clues to discover who and what he is.

The only person who knows the answer is Nelly, the down and out who 'has lapsed from her native religion on religious grounds' and now stands on the pavement shouting shouting Biblical slogans at the passers-by - but her warning about Dougal comes too late:

The words of the double- tongued are as if they were harmless, but they reach even to the inner part of the bowels. Praise be to the Lord, who distinguishes our cause and delivers us from the unjust and deceitful man.”

I love the way the dark, fantastical elements of the story sit alongside the humdrum, everyday activities, and Spark's ability to raise questions about Christianity, the class system, and the moral code of the day so quietly you hardly notice what she's doing. But there is a lot of humour here as well, often based on her observations of people's behaviour, like the moment when Dixie's mother tells her husband (Dixie's stepfather): “Turn on that wireless. If we're going to have a row I'm not letting the neighbours get to know.” And poor Mr Weedin gets little sympathy when he admits that sometimes he thinks he is going to have a breakdown. “It would not be severe in your case,”Dougal said. “It is at its worse when a man is a skyscraper. But you're only a nice wee bungalow.” If that's not one of the greatest put-downs ever I don't know what is.

Anyway, I've rattled on quite long enough, and the only other thing I can say is please read the book.


  1. This is such a great review. I have this novel by my bed and had meant to read it by the beginning of this week but I didn't. Now I am going to pick it up and get on with it. Many thanks.

    1. Oh, thank you so much, that is really kind of you. I hope it doesn't disappoint after I've flagged it up!

  2. Great review, Chris! I would rush out and read it if I hadn't already read it last week ;) My, much shorter, review will appear on Thursday.

    1. Simon, I shall look forward to reading your review. I am sure it will be much concise than mine - I kind of got caried away, and there was lots I could have said, but didn't!

  3. Your review is a really great read in itself! I'd chosen to read Peckham Rye for the Muriel Spark Reading Week (along with the Complete Short Stories) but I chose it pretty much at random and now having read your review I'm glad I did! I'm still in the early part of the book but already I've fallen a bit under Dougal's spell myself! Now I'm looking forward to seeing where we go next!